This poster was probably drawn up in July 1972, when filming had just got under way. It features an artist's impressions, possibly from photos, of scenes from "Arthur is Dead" and "The Challenge."Poster courtesy of Paul Lewis.
Romance, legend, myth and misunderstanding veil the true story of ARTHUR, the man who roused all England to repel a barbaric invader. Behind the legend lies a freedom fighter, a leader of genius.
In “ARTHUR of the Britons”, HTV West, within whose borders ARTHUR built his own Camelot, have created a 24-part series on the life and battles of the hero ‘king’.
It is the dramatic story of desperate men and desperate times, an age of bloodshed, but an age also of a warrior who held dear the vision of a free, united and Christian kingdom.
The £500,000 series was filmed on West Country locations that once rang to the clash of Celtic and Saxon sword. Two stockaded encampments, one Celtic and one Saxon, were recreated in painstaking detail.
The writers who contribute are of international repute. They include: Terence Feeley, Robert Banks Stewart, David Osborn, David Pursall and Jack Seddon.
ARTHUR and his story belong to the so-called Dark Ages of English history that must remain partly veiled. This television series is the first realistic attempt to look behind that veil.The text reiterates the premise of the show: Arthur as a wily war leader, trying to unite his people against invaders.
It is interesting to note that Arthur is referred to as "a warrior who held dear the vision of a free, united and Christian kingdom." But nowhere in the series does Arthur refer to his own religious faith, and though a white banner with a red cross is on display in Arthur's village, he never fights anyone simply because they are not Christians; indeed, his foster-father, Llud, believes in different deities, though we are not told which ones.
In "Arthur is Dead", a large book - which might well be a Bible - is seen in Arthur's room; later in the series he consults a monk, but about an agricultural rather than a spiritual problem, and later still, he takes issue with Rolf, for preaching Christian peace and love, causing some of the Celts to lay down their arms.
Perhaps it was thought that a Christian leader might hold greater appeal, but religious fervour just didn't fit with the character of the practical hero they created in Arthur.